Showing posts with label Laura Branigan. Show all posts
Showing posts with label Laura Branigan. Show all posts

Wednesday, January 30, 2013

"Forever Young"



Late one night in January 2008, I discovered this 1985 TV performance on YouTube. I had fallen in love with Alphaville's "Forever Young" in the late summer of 2004 when it was featured in the brilliant film Napoleon Dynamite. That same summer, Laura Branigan, whom I had loved since my days of watching the variety show Solid Gold as a child, died unexpectedly of an aneurism. My love for her music deepened in the months and years that followed her untimely passing, but it was not until five years ago that I learned that she covered "Forever Young". I still remember the first time I saw this clip. I felt as though Laura's angelic soul had guided me to it that night, when I needed it most. A part of me feels that all over again, every time I hear the song. But my most vivid memories came over the next two years, when this most haunting rendition of "Forever Young" would underscore the final days I spent with my beloved dogs, Frisky and Chloe. 




Frisky and Chloe were sisters, born the very same summer I filmed my tribute to Madonna's "Vogue", and they were a defining part of the lives of my sister and I from our childhood through our twenties. They saw us through every high and low over the span of two decades, from grade school through college and beyond. Chloe died while looking into my eyes on December 27th, 2008, and Frisky died while looking into my sister Jennifer's eyes on January 10th, 2010. Speaking as a deeply spiritual person, 2009 was a powerful chapter in my life because Frisky was here with my family while Chloe was no longer in a physical form. Throughout 2009, the last full year of Frisky's journey, I felt Chloe especially close: their bond was truly unbroken by death. Never was this more potent than on the night of September 26th, 2009, when I walked outside with Frisky in my arms, playing an MP3 of Laura Branigan's "Forever Young" on my cell phone under a Full Moon. Now, a part of me always goes back to being in that Full Moonlight every time I listen, and I am once again holding Frisky in my arms, the spirit of her sister Chloe all around us. 


In January 2013, Laura Branigan's "Forever Young" would take on another meaning for me. On January 6th, I learned that one of my dearest and most incredible friends was at the end of her life journey. Amanda was an integral part of my adolescence, an ally in junior high school who I stayed in touch with until 2012. Many of my memories of her were formed during the seventh and eighth grades, a difficult life chapter that I avoided looking back on for many years. But now I cherish those once painful memories so as to remind me of the right approach to take to truly living life...just like Amanda did. 

In the seventh grade, I was secretly coming to terms with my homosexuality while also realizing that Amanda seemed to have romantic feelings for me. I couldn't tell her why it was that I couldn't go out with her, despite how well we got along and how much I adored her. The two of us separately and collectively endured peer abuse (I loathe the term "bullying) from certain people who mocked our friendship. I'm sure some of them knew even ahead of me that I was gay, but such taunts primarily were rooted in the fact that I was extremely tall for my age while Amanda was quite short. Amanda and I never discussed anything as trivial as our height difference, but years later I learned from a mutual friend that Amanda had battled and beaten childhood cancer, and that this had presumably stunted her growth.  Looking back, I should have known by her approach to life that she was a cancer survivor. Amanda was a lot tougher than I was, and deflected the words of other people with a strength and optimism that I still hope to one day emulate. 

In junior high school, and especially the seventh grade, I was deeply sensitive to the ignorance and cruelty of classmates whose own internal suffering I would not understand until years later. And I was obsessed by a fear that I was causing Amanda more suffering than anyone else by not having for her the same feelings that she had for me. This fear dominated my thinking, yet without any cause, for Amanda never stopped smiling. Regretfully, I transferred to another school because I felt lonely and depressed and picked-on and unpopular. I thought I could hit the "Reset" button and have an entirely different teenage experience in an entirely new environment.  Amanda, on the other hand, never held grudges against those who could be so cruel: she not only forgave but ultimately became friends with the people who had once inflicted pain.

Amanda and I did not see each other very much after we went to different high schools, but thankfully America Online kept us connected for the rest of our teen years. At the start of senior year, we ended up working side-by-side at CVS, and once again I had the pleasure of seeing Amanda every day. I will never forget the night when she rang up a junior high tormentor while we were both working the cash registers. After he left, she told me how much nicer he was now. I wished I'd taken her approach to people, and to life, back when we were teenagers. Amanda weathered much more than I ever did, and yet she never let that affect her exquisuitely positive attitude. She was never blind or naive or living in a fantasy world. Her positivity was entirely by choice, and it never, ever wavered. She consciously chose to feel only love for all people. Eventually, all people loved her right back. And how rightfully so. 


Amanda's beautiful senior photo and caption in the Class of 2000 High School Yearbook.


I can't recall if I finally told Amanda I was gay shortly after I left CVS or shortly after we started college. Telling her was something I'd wanted to do for a long time, and one day I finally wrote her an email message to set the record straight--so to speak. As detailed in past blog entries, I knew all too well what it was like to be infatuated with a guy who either did not share the same feelings and/or the same sexual orientation. Inflicting that pain onto Amanda of all people was something I never ceased to be afraid of doing. I don't know if she knew I was gay by that time I finally told her, but from the reply she sent back, all the way up to the last messages we ever exchanged, it never affected our friendship one way or another. We went on to maintain communication for years by way of AIM, email, and eventually Facebook. Some time in 2004 or 2005, we ran into one another again at a grocery store in the same plaza where we'd once worked together at CVS. I remember that hug we shared and the warmth between us so vividly, and I keep remembering it all the time now because that happy moment was the last time I ever saw Amanda. 

Last May, when I posted an essay I wrote in high school about my junior high experience, there was never any mention of my friend Amanda. This was not an oversight: I removed all references to Amanda entirely from the piece I wrote at sixteen about what it was like being thirteen. I didn't want posting the full-length essay to stir up potentially painful memories of our shared experiences, not until I had given her the chance to read what I had written and to both have a conversation about it in person. Ever since I posted my "Vogue" tribute we had been planning to get together in Boston for a proper reunion. In spite of the image I have attempted to construct with my video and my blog, these last few years of my life have been wrought with different kinds of pain that have taken a physical and emotional toll on my nearest loved ones. I kept hoping this was a chapter about to end, and that once things were back on track in my life I would resume all of my dormant social activities and pick up friendships where they were left off. In spite of all my wishful thinking, said chapter has yet to end. In the midst of so much turmoil, I became intensely reclusive, but was too vain and too ashamed to let this on to all but a trusted few. Amanda was among those few. She understood where I was at, and why I was waiting for things to be better so that our catch-up in the city would be "well worth the wait". Alas, speaking in the purely physical sense, that reunion was not to be. 

Having beaten cancer as a little girl, Amanda spent a great deal of her time working with the American Cancer Society. She had a passion for helping people that was informed not only by her extraordinary soul but also by her own brave battle as a child. I naively thought she would spend the rest of her life doing so, never once thinking that the disease would come back to take her as a young adult. Just six days into 2013, I learned that Amanda was once again battling cancer, but that this battle would not be won. I subsequently spent the next several days thinking of nothing but Amanda, generating all of the energy and prayers that I could in hopes that all of the love going her way could miraculously heal her. On the night of January 9th, I learned that Amanda was in good spirits, as positive and upbeat as ever. But I also learned that she was going into a hospice the next day. In the hours that followed, I came to terms with the inevitable, and spent a great deal of time listening to music and reflecting on my memories of someone so extraordinary. Although I am a very emotional person, my emotions typically don't reveal themselves in times of sadness. I often say that I only cry in Bette Davis movies, that my appreciation of her greatest dramatic work is certainly deepened by its ability to release my own repressed emotions when I need it most. But as January 9th became January 10th, I shed many tears for the life journey that was coming to an end much, much sooner than any of us could ever have expected. In my heart, I said goodbye that night. Some twelve hours later, on a most unusually warm and sunny afternoon in January, Amanda's journey came to an end.




In the weeks since Amanda's passing, she has remained at the forefront of my mind. Memories of adolescence came back to me with almost supernatural clarity in those final days of her life, so that those experiences, once again, all seem recent. Only what I once viewed as a source of guilt or shame or sadness I now view in an entirely positive light. I look back on the times we shared together in junior high school as pure happiness, because I finally appreciate why this was Amanda's perspective all along. For years I was fixated on a fear that I had hurt Amanda more than anyone else by not feeling for her the way she felt for me, especially as we were both going through such an awkward and challenging stage together. I can finally see that she was far more content than someone as neurotic as I could ever have appreciated, least of all at thirteen. I remember seeing her one day at the start of seventh grade wearing black cowboy boots and thinking of how cool she looked, and I'm pretty sure that's the day when our friendship really began. At a school dance held in the junior high cafeteria a few weeks later, Amanda asked me to dance, and I accepted but was shy about dancing to anything but a waltz-y slow song--indeed, the carefree Vogue Boy was long gone. But Amanda had no hesitation whatsoever, and I keep smiling to myself as I remember her immediately grooving along with the song, never revealing a trace of the insecurity that I felt defined by. 

The night before Amanda's life ended, I was consumed by grief for her family. But on the night of her passing, I was consumed by positivity, thrilled by the awesome power of her incredible spirit. That night, I didn't cry. I danced. Normally when I dance in private I have a secret fear that someone is outside my window filming me. But this time I didn't feel any fear. I didn't feel anything negative at all. I was, and still am, determined to live my life as positively and as optimistically as Amanda did. She loved life, every day of it, whether good or bad or ugly or beautiful or painful or pleasurable. She faced more adversity than I ever did and she yet she was never one to complain or to expect sympathy. She may not have been tall, but she was a tower of strength. She had not one ounce of cynicism in her, and yet she was never without a sense of humor. I speak for countless lives touched when I say that I love her with all my heart. 

On the night of January 11th, I listened to "Forever Young" for the first time since Amanda's journey here came to an end. I was under the open sky on a starry night, and I wished for a shooting star to appear while I listened. When the song ended, I felt connected to Amanda despite not having seen one. I thought to myself, "I don't need to see anything to know you're near." I blew a kiss up to the sky, to a small patch of black in the center of that blanket of stars. And then a comet shot across that patch, slowly and brightly, taking my breath away. I was once again consumed by positivity, by Amanda's positivity. Now every time I drift back towards sadness, I remember that moment, and am incapable of feeling anything but gratitude and happiness. And every time I listen to Laura Branigan sing "Forever Young", Amanda is among those angels who I feel so especially near. 





Tuesday, August 30, 2011

CINEMA PERSONALIA: Twenty Movie Memories


Like most people my age, I spent most of my twenties trying to live out a fantasy of who I wanted to be and who I wanted people to think that I was. Now there are just twenty days left of my twenties, the decade that I most looked forward to for all of my life. I thought I’d take one last opportunity to publicly embrace my reality while celebrating my love of fantasy, but most of what I felt inclined to reveal was directly related to my lifetime of movie-watching. As such, I’ve decided to share some of my favorite movies and movie experiences….twenty that came to mind. 


1.) My favorite American horror movie is A Nightmare on Elm Street. Freddy Krueger played a HUGE impact on my life as a Child of the 80s, but it was not until Halloween ’91, at the age of ten, that I and one of my closest childhood friends braved our first viewing….and absolutely LOVED every minute of it. 




2.) After A Nightmare On Elm Street, and barring its mind-blowingly awesome sequels, my favorite 80s horror movie is Fright Night. Living next door to Chris Sarandon was also my reigning romantic fantasy when I first saw the film in the fifth grade!




3.) My favorite Japanese horror movies are Hideo Nakata’s Ringu/Ring, Toshiharu Ikeda’s Shiryo No Wana/Evil Dead Trap, and Nobohiku Ohbayashi’s Hausu/House. Although most of my favorite horror films are American and European, I consider Japanese horror films to be the most frightening, the most spiritually potent, and among the most influential on my own work.








4.) The first time I ever saw The Exorcist was the night before Easter 1992. My Dad showed it to me, because he felt I was mature enough to appreciate it. I knew it was a horror movie, but it was not for many years that I knew it was supposed to be scary—as someone who grew up Catholic and believed in demonic possession as a very real possibility, I simply viewed the film as a wrenchingly realistic mother-daughter melodrama!




5.) My first brush with Hollywood came in 1995, when my family and I were cast as extras in the Arnold Schwarzenegger film Eraser. We spent several days filming and being part of the shoot in September 1995 in New York City. It was a fantastic, defining experience. However, after seeing the movie four times on the big screen and owning it on VHS, letterbox VHS, laserdisc, DVD, and Blu-ray, I can finally confirm that my family is nowhere to be found in the film.




6.) I regard Otto Preminger’s Laura as the most intoxicating Hollywood film I have ever seen. Everything about it—the sex, the violence, the wit, the elegance—represents not only what I most hope to achieve as a screenwriter, but also the elements of great American cinema that I hope will one day return to the big screen in full force.







7.) I consider Jacque Tourneur’s Cat People to be the most spellbinding movie I have ever seen. I think that the film and legendary producer Val Lewton’s dreamy interpretation of “the horror movie” paved the way for many of my favorite European filmmakers, none more than my idol Dario Argento. 




8.) When I went to see Halloween: H20 in the suburbs of Boston, the print used was dubbed in French. As ushers flashed their lights at people demanding to see ID to prove they were of MPAA-age to be watching a teen horror film, people pointed out the fact that the movie, and its opening titles, were in a foreign language. “It just starts out that way” was the response from uninterested ushers. Group by group, people filed out to get refunds before having the movie spoiled, but I stayed to see the end of the dubbed opening sequence. When a major character got her throat slit in the first ten minutes, the women sitting behind me yelled out together “Au revoir!”.



9.) Just Jaeckin’s adaptation of Pauline Reage’s The Story of O is my favorite French movie of all, and the Pierre Bachelet score is probably my favorite film music not to come from Old Hollywood or EuroHorror.




10.) My favorite “gay movie” is Paul Verehoeven’s De Vierde Man. It was also the first Dutch movie I ever saw, and watching it was the first time I had my defining dream of living and working in The Netherlands.





11.) I briefly lived in Amsterdam, and one of my favorite daytime rituals there was to get dressed up in nice clothes and sit in a local gay porn theater. I'm pretty certain that I was unconsciously imitating Marilyn Chambers in David Cronenberg's Rabid...up to a point, of course. In those weeks before I turned twenty-five, catching the gaze of older men checking me out made me feel wanted. But leaving before any of them could have a chance to speak to me made me feel enigmatic. To this day, I still appreciate the Garbo-esque effect derived from both.




12.) When I went to see John Carpenter’s In The Mouth of Madness, someone inserted a huge portion of John Murlowski's sci-fi action movie Automatic into the print. Because “Madness” was so surreal, and because John Glover played a supporting role in BOTH films, I and most of the audience thought we were just watching a really bizarre movie. But when the spliced print switched back to In the Mouth of Madness and we all saw the last twenty minutes, I was mortified to have been robbed of the movie experience intended. I went back and saw the Carpenter film again two days later using the free pass we were all given on the way out, but nothing could match THAT first-time viewing!




13.) The only movie I ever saw three times on the big screen in its first seven days of release was Clueless. I never cease to be grateful that THE feel-good-movie of the 90s was released during the most painful chapter of my adolescence.



14.) I first saw Romy and Michelle’s High School Reunion on its opening night: April 25th, 1997. On Saturday, May 3rd, I saw the film twice in a row. It became the only movie I ever saw five times in a theater, and remains one of my favorite comedies of all time. (Even though I have subsequently had many important life events take place on April 25th, I STILL regard 4/25 as “Romy and Michelle Day”!)





15.) In January 1991, my Aunt and Uncle took my sister and my cousins and I to see The NeverEnding Story Part II on the big screen at the dearly departed Showcase Cinemas in Dedham. For reasons unbeknownst to the audience, someone in the projection booth included trailers before the film for both Not Without My Daughter AND The Silence of the Lambs. The former was what introduced me to Sally Field, and the latter was the most effective teaser I had ever seen. It is also why I’ve never been able to be as frightened as everyone else when watching The Silence of the Lambs: the images from the rapidly-cut teaser were even more terrifying when they took a senseless, nightmarish shape in my young mind that could never be recaptured on film or in memory. 




(Note: The "Silence" teaser I refer to is not on YouTube, but for those of you who own the 2001 DVD or more recent BluRay, it's THERE and it's STILL a mini-masterpiece in its own right!)


16.) I think that The Silence of the Lambs is a perfect film, and Jodie Foster’s performance as Clarice Starling has influenced my life and my writing as much as any characterization on film. Yet I still prefer Michael Mann’s Manhunter, not least of all because William Petersen’s "Will Graham" coupled with Kim Greist’s turn as his wife "Molly" represents my ultimate fantasy of noir-tinged wedded bliss on the Atlantic Ocean.



17.) Despite my love and appreciation for Ridley Scott, I prefer James Cameron’s Aliens over Alien. I think it’s scarier, I think it’s more human, and I think that the collaboration of Cameron and Sigourney Weaver was what elevated "Ellen Ripley" to being one of the greatest characters in the history of American film.  



18.) I was given a surprise birthday party when I turned twenty-one, but I showed up so late that I missed my own surprise!  It was the first time I had a Friday birthday since I was fifteen, and I had gone to an evening show of The Banger Sisters because I thought it was amazing that, six years after The First Wives Club, another Goldie Hawn movie opened on my birthday. I was in a taxi when I got a call implying that there was a crowd waiting for me at a certain restaurant, so I paid the driver his fare and got out of the cab while traffic was at a standstill. As I got out, he started moving again, and my thankfully sturdy shoe got wedged. “Would you mind driving back a bit? My foot is under your wheel” was my request to him. By the time I got to the restaurant, several of the guests I was so pleasantly surprised to find had been in attendance had already had to leave. Hardly my best birthday. DEFINITELY one of my best birthday stories.



19.) During the years that I have lived in "walking cities", I frequently took middle-of-the-night strolls while listening to Dario Argento scores on my MP3 player. In Boston and Amsterdam, I began my walks by first listening to Laura Branigan’s “Self-Control”, and when I later moved to New York and Miami Beach, I always watched the “Self-Control” music video before embarking from my apartment. Laura’s onscreen erotic journey was a perennial fantasy of how I hoped those nights would go, and kept me distracted from the more realistic fears of violence that I both ignored and took advantage of. Today, Laura Branigan’s “Self-Control” is my favorite non-Madonna music video, my favorite William Friedkin film, and an instant throwback to some of the most dangerously exciting nights of my life.



20.) The first time I ever saw Flashdance was on May 26th, 1994. What began as a casual way to spend two hours while I awaited Memorial Day Weekend became my favorite movie of all time. Seventeen years later, it remains my favorite movie, and every May 26th I make every effort to rewatch it.